Looking forward to what should be a very fun tour with my good friend, the great guitarist Linus Eppinger. After a quick pit-stop in Hamburg, we’ll be off to the Netherlands for gigs in Breda (at the Jazz Festival), Amsterdam, The Hague and Leiden. See the tour poster below. We’ll be playing with a few different rhythm sections. Check the gig list on this website for more info on personnel.
I’m looking forward to playing some trio dates in Scotland and the north of England at the start of October. Please tell your friends if you know anyone in these parts! I’ll be joined by award-winning Scottish double bassist Andrew Robb and three great drummers along the way (Alyn Cosker, Steve Hanley and Will Blackstone),…
I was flattered to have my album included in a few jazz journalists’ ‘Best of 2017’ end of year lists recently, including these two really nice ones from Simon Adams and Dave Gelly in Jazz Journal: I was also very happy to be included in Nick Lea’s list for Jazz Views and Tim Stenhouse’s list for…
Introducing REBOP is now available on Unit Records. REBOP is a collaborative, international band, featuring: Jorge Rossy (Barcelona) – vibraphone Sam Braysher (London) – alto saxophone Linus Eppinger (Amsterdam) – guitar Tilman Oberbeck (Hamburg) – double bass Phelan Burgoyne (London/Basel) – drums Listen/buy it on Bandcamp.
I had an amazing time playing with Michael Kanan over the last few weeks. It was brilliant to play with someone of that calibre night after night, and it was special for me to play my first gigs as a bandleader outside of the UK. Thanks to Matt Pannell for the pic, taken in Cambridge!…
One of the songs I picked for my recent duo recording with Michael Kanan was Way Down Yonder in New Orleans. Written in 1922 by Turner Layton and Henry Creamer, the African-American songwriting team also responsible for the more well-known After You’ve Gone, Way Down Yonder seems to only really be played by more trad/Dixieland…
I wrote this on my old website a while ago, but thought I would repost here. I’ve been learning this Charlie Parker solo recently (transcription here). It was recorded in 1943, towards the start of Bird’s career and, although his style is plainly not yet fully formed, it is one of my favourite examples of his…