Jazz fan and photographer Joe McCarty documents the gigs at the White Horse in Bedford, which drummer Mark Hale presents to a faithful crowd each Monday. Here’s one Joe took of me. Check the rest of his photos here.
Jazz fan and photographer Joe McCarty documents the gigs at the White Horse in Bedford, which drummer Mark Hale presents to a faithful crowd each Monday. Here’s one Joe took of me. Check the rest of his photos here.
Flattered to be featured in a double review by Chris Pearson in The Times. Dance Little Lady, Dance Little Man is covered alongside and album the great American saxophonist Vincent Herring. You can read it here, although it’s behind a paywall. The part about my album reads: “There’s more sophisticated swing from another alto saxophonist,…
I’m pleased to say that my new album is out now on all platforms. Thanks a lot to those who’ve already bought a copy or had a listen. It’s on BandCamp here (CD or musician-friendly digital/streaming). Or all of the usual streaming services here. Or send me a message if you’d like me to send you a CD…
Looking forward to reuniting with the incredible pianist and magical accompanist Michael Kanan at the 606 Club in Chelsea on Weds 6 November. Michael and I recorded together, releasing an album in 2017. I was fortunate to tour with Michael a couple of times subsequently, and we had a planned tour in 2020 that was…
Looking forward to what should be a very fun tour with my good friend, the great guitarist Linus Eppinger. After a quick pit-stop in Hamburg, we’ll be off to the Netherlands for gigs in Breda (at the Jazz Festival), Amsterdam, The Hague and Leiden. See the tour poster below. We’ll be playing with a few…
Looking forward to some gigs coming up in this year’s EFG London Jazz Festival: Friday 16th and Saturday 17th November: launching Introducing REBOP at Toulouse Lautrec, Kennington. REBOP is an international quintet featuring the great Jorge Rossy on vibraphone. We recorded our first CD near Barcelona earlier this year. It is released this month on…
I wrote this on my old website a while ago, but thought I would repost here. I’ve been learning this Charlie Parker solo recently (transcription here). It was recorded in 1943, towards the start of Bird’s career and, although his style is plainly not yet fully formed, it is one of my favourite examples of his…