Had a great time in Germany with the Jorge Rossy/Tilman Oberbeck Quintet the other week. We played at the Jazz Federation, Hamburg, then a few gigs around Karlsruhe. Photo credit: Hans-Ulrich Frank.
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Braysher/Kanan live duo videos
My album release tour with Michael Kanan seems like ages ago now, but we had great time and I’m finally getting round to putting up some videos from the album launch we did in Dalston, London. There are four videos: two short promo clips (an extract from Cole Porter’s You Do Something To Me and…
Recording in Spain
I’m recently back from a fun trip to Spain recording with an international quintet featuring Jorge Rossy. We recorded in Jorge’s studio in Begues, a small town outside Barcelona, and the resulting album should be here in the not too distant future. The band (now called Jorge Rossy’s ‘Rebop’) also features Linus Eppinger on guitar,…
Bedford Photos
Jazz fan and photographer Joe McCarty documents the gigs at the White Horse in Bedford, which drummer Mark Hale presents to a faithful crowd each Monday. Here’s one Joe took of me. Check the rest of his photos here.
New single: One Note Samba One Note Samba (Samba de uma Nota So)
My new single is out now on all platforms. ”One Note Samba” or “Samba de uma Nota So”, to give it its Brazilian title, is an amazing composition by Antonio Carlos Jobim. You can watch our take on it here: Filmed in one long shot by Maximiliano Martinez. You can also listen on Spotify here….
REBOP album
Introducing REBOP is now available on Unit Records. REBOP is a collaborative, international band, featuring: Jorge Rossy (Barcelona) – vibraphone Sam Braysher (London) – alto saxophone Linus Eppinger (Amsterdam) – guitar Tilman Oberbeck (Hamburg) – double bass Phelan Burgoyne (London/Basel) – drums Listen/buy it on Bandcamp.
Celia
Bud Powell’s solo on Celia, the pianist’s own composition named for his daughter, is one of the great bebop performances. A real one-chorus-wonder, it appears on the album Jazz Giant, which comprises two trio sessions: one recorded in 1949 with Ray Brown and Max Roach, and one from 1950 with Roach and Curley Russell.